Showing posts with label walking. Show all posts
Showing posts with label walking. Show all posts

Sunday, February 28, 2010

Almost Showtime!


Next Saturday is the opening reception for my solo show at the Fountainhead Gallery in Seattle, WA. Above is the front and the back of the postcard. Since it's too small to read the details they are:

Karen McClelland
Figures & Friends
March 5th - March 28th 2010
Opening Reception Saturday March 6th, 5 - 7 pm

Fountainhead Gallery
625 W. McGraw St.
Seattle, WA 98119
206-285-4467
www.fountainhead.com

If you would like your own postcard as a reminder, send me your snail mail address and we'll get one dropped in the mail to you.

Friday, April 17, 2009

Katherine at the Faire


Time for me to varnish and then frame "Katherine at the Faire" so I thought I would take a moment and share it with folks. It has be juried into an art show and I'll be delivering it the end of next month.

This young woman volunteers every year at the Washington Renaissance Faire in August. She works at the gate greeting visitors. Last year (2008) the faire was unfortunately cancelled, so I'm really looking forward to it this year. I'll be spending the day there getting reference shots for future paintings.

If you wish to see the above painting in person the show will be May 31 - July 9 at the

Cascade Club ~ Trilogy Golf Club
23225 NE Greens Crossing Road
Redmond WA 98053-6247

Open to the Public
Daily 9 am - 7 pm

There will be an artist's reception on Sat. June 6th from noon until 3:00. I will be there painting as an artist in action along with several other artists.

The original oil painting "Katherine at the Faire" is 36" x 18" before framing and will be for sale at the show for $1,300.00.

Friday, January 16, 2009

The start of "Salute"


Finally getting a chance to start blogging again. I've been exceedingly busy the last couple of months. Parklane Gallery in Kirkland, (www.parklanegallery.com) where I hang my work announced that in January they would be hanging "salon" style. Which means artwork floor to ceiling. I thought instead of hanging a lot of different pieces, would it be fun to hang floor to ceiling, one image made up of many different canvases.

What a project it turned out to be. I had never tackled anything like that before. I knew in my mind what I wanted to do. I had a eight foot high by four foot wide area to work with and I wanted to do a horse and rider. My first thought was a jumping image, but the width made me think of a horse and rider more from the front doing a dressage halt and salute. My next problem was I was really short on time to try to get out and take a reference photo. I really prefer to take my own, and of course I'm very careful about copyright. I saw a photo I was interested in taken by a wonderful equine photographer named Karen Lietz (karenlietz.com). We came to an arrangement and the photograph was mine to use as a reference for my Salute painting.

Next was to divide up the image into the different canvas sizes. I started figuring it out using different standard gallery wrapped canvas sizes, with 1 1/2 inches between the canvases. Having done that (it was either 10 or ll canvaes, I made my trip to the art supply store. Well they didn't have all the sizes I wanted in stock. And because I was working up against the clock I didn't have time to special order the canvases. So I started redesigning my layout in the store, pulling canvases off the shelf. I ended up working it out and it turned out to be 14 canvases.

Back to the computer to lay out the image some more. Making it very accurate with the canvas size and the 1 1/2 spacing. After that the next stage was drawing the image onto the canvas. Now I had planned to do some photographing for my blog as this project went along. Since I'd never tackled anything like this before. That went down the road of "best laid plans". When I'm working I just never think to stop and take photos. Plus the fact that I would forget to take my camera to my studio.

My next step was to gesso the fourteen canvases to get them ready for painting. Obviously the finished paintings were to be hung without frames, as they would ruin the image, which is why I chose the deep gallery wrapped canvas.

Then I made a step that is not normally done until after the painting is complete. I wired the backs of the canvas for hanging. And actually hung them unpaintined, getting that 1 1/2 spacing correct on the wall in my gallery.

Next was to start the painting, but I'm going to save that for my next blog entry. At the top of this entry you will see the finish "Salute" as it is currently hanging in Parklane Gallery (size 3 1/2 ft wide, 7 ft. high, price $3,900), and I'll post how it got to that stage in my next entry. Bye for now, Karen

Tuesday, August 5, 2008

Out for a Walk


11" x 14" oil on board NFS Lhasa Apso Walking

At 11" x 14" this is the third of the three larger Lhasa paintings I'm doing. I find I'm losing my oriental momentum. And actually reaching a "Lhasaed out" point, but luckily only have a couple of the smaller ones do go.

That being said . . . I love this painting! It is so me in color, drama, movement, subject, light, etc. I like it so much I have contemplated not letting the Lhasa folks have it by painting another 11 x 14 for it's place. Then the piece can go a more traditional gallery route. Or my most recent thought as I gazed at it last night (I brought it home from my studio to my living room), is that maybe it can go to the Lhasa folks, and I'll paint another . . . similar, but not the same, and larger at 16 x 20 . . . hmm that maybe the way to go.

Either way, this will probably be the last of the Lhasa series that I post on my blog, since I want to keep some variety going for the non-Lhasa readers. But it probably won't be the last time my daughters feet make an appearance. I purchased the gold shoes a couple of weeks ago, and haven't worn them yet, but feeling they were a look I wanted had my daughter wear them and walk back and forth on the porch, as I stood below taking the shots. So I do feel walking feet will make another appearance in my work.

As I've mentioned before I listen to music in my studio when I paint, (actually it's about the only time I listen to music) it helps me to disengage part of my brain from painting. As I play the same CD over, and over, and over, my pieces often end up having theme music, -- especially these smaller paintings -- that I associate with them. I can say when I painted that I was listening to . . .

This Lhasa walking painting broke in a new CD, by Bobby Darin. So I went beyond the sea with mack the knife and then up a lazy river with my dream lover LOL. Dancing around my studio in between strokes at the end of the painting. Although I love painting in the public eye as an artist in action, that's something I have to be careful of -- painting with my mp3 on and not getting carried away and waving my tush around!

Odds are good that I will have prints made of this painting. Cheers.