Thursday, February 12, 2009
To finish up my "Salute" painting story. These are the deep gallery wrapped canvas, because obviously I didn't want a frame on them. When Salute is hung the canvases are spaced 1 1/2 inches apart. So I made block thing (from tapping several house paint type stir sticks together) that was 1 1/2 inches.
Then I could work on a couple of the paintings at a time. I'd have them stacked on my large floor easel. Naturally I couldn't work on the entire painting at the same time, although on occasion I did try. The painting was hung in my gallery from the very start, then I would take down the sections I wanted to work on to my easel. Then put them back up on the wall. Well naturally I kept seeing something I wanted to work on when standing back looking at the over all painting. So I'd forget and go up to make the stroke. Of course that didn't work. They paintings where hung, so they would tip and move all over.
I'm the kind of a artist who works a painting all at once. I also like to work alla prima (wet into wet) and with such a large piece I couldn't do that as much as I would have liked. Areas would dry before I could get back to them. Anyway I had those canvases up and down off the wall so many times. LOL
The one downside I did find to doing such a large piece was when I went to take a photo at the Parklane Gallery (in Kirkland, WA) so that folks could see it. Obviously to fit the entire thing in the frame I had to stand quite a ways back. And therefore the viewer doesn't get to see the brushwork that went into the piece. This always happens when trying to share small jpgs, but certainly I'd never encountered it to this extent.
So for your viewing pleasure (and to show that brushwork). This blog entry starts off with a portion of one of the panels - the nose.
Hope you enjoyed my "Salute" story. I'm on to jockeys next . . . . .